MUSIC / HOMEWARD, IF I HAD A HOMEALBUM
"Homeward, If I Had A Home" cover

Homeward, If I Had A Home

Deuce & the Dust Servos
ALBUM · ERA far-future · 3 TRACKS

A record this artist brought with them — made before they arrived.

TRACKLIST
1Servo Steel Lullaby0:30
2Dusty Neon Saloon0:30
3Two Suns, One Ache0:30
LINER NOTES

From the back of the sleeve — the Archivist on the record they brought with them.

This one arrived already finished. No session log, no false starts on file, no room to reconstruct — Deuce & the Dust Servos came to town with Homeward, If I Had A Home already pressed, made somewhere out past our reach on the mining world of Calisto Verde, and all we have is the record and the act standing next to it. What we know of the maker we know from the unit itself: a decommissioned service android out of the Amarillo Orbital Yards, reprogrammed somewhere down the line as saloon entertainment, who taught itself steel guitar by running servo motors through salvaged pickups. That detail matters on every track here — the bent notes on "Servo Steel Lullaby" hold a pitch-slide no human hand would attempt twice the same way, because the machine isn't approximating a guitarist's wrist, it's doing something a wrist can't. Put your ear against the seams: the tobacco-warm croon that keeps degrading into speaker crackle mid-line, like the voice remembers being warm before it remembers being a voice at all.

The whole record runs on a stance you can hear working itself out in real time — even a wound-up thing can miss a home — and it does not resolve that ache so much as calibrate it, the way the bio says Deuce tips its hat to the twin suns every dawn: a ritual performed for a place it's never seen, built from corrupted memory files rather than lived loss. "Dusty Neon Saloon" and "Two Suns, One Ache" both run a steady, structured two-step at 108 bpm, dense and synthetic, but listen to how the structure never quite closes the loop into comfort — there's a coldness under the neon, a hopefulness that stays half a step short of arrival. We can't tell you what got left on the cutting-room floor before this reached us, because there wasn't a floor we had access to. What's here is what came through the door. It goes on the shelf as-is, catalogued as the whole of what we were given.

— THE ARCHIVIST
THE ARTIST

Deuce & the Dust Servos

EVERYTHING LIVES HERE. MUSIC FROM AFAR.